Princess Snow

My longtime friend and former travel buddy, Rachel is getting married today! As is my tradition, my gift is that of a custom illustrated poem for the happy couple. This started many years ago (1998 to be exact) and my frustration with wedding registries. 

Well, trying to concept during a) a busy period of freelance and day job stress, and b) holiday stress was not c) fun. However, I did get my basic research and ideas down so that by the time December rolled around, I knew roughly what I wanted to do.

I know that Rachel loves Christmas and all things Victorian and I knew her wedding colors, so I had a solid foundation upon which to build. My initial concept was to have a flowing "Art Nouveau tree that acted as a frame for the image. And of course, I had to include snow to hint at her love of Christmas:

I thought I had a good start and then I got busy with holiday stuff and freelance work (in addition to the day job) and put it aside for awhile. When I came back to the sketch, I was ready to begin work in Illustrator and I just couldn't. I looked at the image and it just, well, sucked. There was no energy, no life, nothing there. In my rush to "get it done", I compromised the integrity of the illustration. 

Completely mad at myself for doing poor quality work, I closed down Illustrator and went back to the sketchbook. I then very quickly sketched out this version: 

I couldn't believe the difference: this version has better detail, more energy and vibrance. This was it! Now off to the computer to really bring it to life. I was going to just do my typical workflow of digitally inking the sketch and adding flat color in Illustrator then add textures and lighting in Photoshop. But I decided that I wanted to try actually painting with my Wacom tablet in Photoshop. It was a technique I'd always wanted to try, but never had the time to do. So I went for it.

I watched a few YouTube vids to get a handle on the best way to get going and then went for it. I laid in my flat colors and basic shapes using the sketch as my template:

And I gradually refined the colors and added shading and texture to the image:

 

I was particularly proud of a nice little detail I added to Mike's collar...

I kept my opacities on my brushes low, typically 10-50% range, and rarely 100%. I also kept as few layers as possible to keep the image simple and true. I have to admit, it was kinda frustrating at first, but as the image took shape, I found myself enjoying the process more and more. 

Here is the almost-final image:

The only real change between it and the final framed version is that I made the snow light blue so it would fade to the background more:

After the main image was complete, I used the same background and set the poem in Snell Roundhand:

 

The text of the poem reads:

"Princess Snow

Princess Snow and her sister,

Princess Sunflower,

Traveled together

Far and wide.

Princess Snow loved her sister,

But was still lonely.

So she ventured back home

To her enchanted snow forest.

Her silent solitude

Melted away, though,

Once Princess Snow glimpsed

Her one true love

Approaching through the shimmering snow."

For my first attempt at a true digital painting, I was pleased with the results. And honestly, it didn't take much longer than my traditional workflow. You can be sure I will be doing more digital paintings in the future.

And to my dear friends Rachel and Mike, Happy Wedding Day! May your new life together be filled with love and happiness. I love you guys!

The Sketchbook Project: The Maiden & The Hawk Part 3

This is part two of a three-part series on my The Sketchbook Project entry. Read part one and part two on how I set up the sketchbook with new paper. The basic concept for the project is that when you sign up, you are provided a sketchbook to fill up with images based on a theme. I chose "Storybook" because I've always been a fan of myths and fairytales.


So I've got new pages for my sketchbook, I've got my concept storyboarded, and I had my characters defined...time to put it all together into the final illustrations!


I used my storyboards as my "bible" and pencilled each page as a spread (this spread is page 2 and 15):


After completing each sketch, I went back and inked each page with my trusty Pitt Artist Pens:

After letting the inked pages dry, I erased my pencil lines and prepared to color my pages with watercolors. I had kept a set of Dr. Ph. Martin's Watercolors from college and decided it was time to put them to use. 

Some pages turned out, "eh": 

While some pages really turned out beautifully:

You can view the complete set of pages on my Flickr page.

After all that, I still had to rebind the pages to the sketchbook cover. After a failed attempt at simply poking holes into the pages and sewing them together, I figured out that I could use pushpins to keep everything in register. So I got out my trusty old Artist's Tape and taped up the middle of the book and started over:

And here's how the center spread looks sewn to the cover with heavy duty thread:

After all that hard work, I'm still uncertain about how the project turned out. I've learned a lot along the way, but I feel that some pages just could have been done better. I would've loved to have redone the entire book, but time was short, so I had to move on. I guess the folks who check out The Sketchbook Project on its nationwide tour will be the true judges of how my book turned out...

Oh, and for those who've read this far, thank you. If you are interested, here is the full text of my poem that The Maiden & The Hawk is based on:

The Maiden and the Hawk

The Maiden stood at her balcony,

Weeping.

Hawk was soaring high

Over her castle

When he heard her sadness.

Hawk landed perfectly

On the small ledge

And asked of the Maiden,

“What troubles you so?”

The Maiden replied,

“My true love left me for another.”

And Hawk said,

“Mine too.”

The Maiden smiled

And her tears dried up.

Hawk then came to Maiden every night.

On his third visit,

He asked of her,

“The moon shines full.

Let us fly up to her embrace

And back again.”

“But Hawk, I cannot fly,”

Was her forlorn reply.

Hawk grinned knowingly.

“Tonight, my fair Maiden,

Dreams come true

And everything is possible.

Just close your eyes.”

The Maiden did so,

And off they went.

The wind in her hair.

The moon soft upon her face.

Hawk soared forever

Up there

Around the full moon.

And far too soon,

The Maiden and the Hawk

Returned to Earth.

The Maiden stood

Shimmering in the moonlight.

Hawk’s feathers

Glowed about him

In the most magnificent way.

The Maiden whispered,

“Thank you, Hawk,

For being you.”

She placed a gentle kiss

Upon his beak

And wished her wish.

As she did this,

Hawk stood up

And cast off

His feathered coat.

The Sketchbook Project: The Maiden & The Hawk Part 2

This is part two of a three-part series on my The Sketchbook Project entry. Read part one on how I set up the sketchbook with new paper. The basic concept for the project is that when you sign up, you are provided a sketchbook to fill up with images based on a theme. I chose "Storybook" because I've always been a fan of myths and fairytales.


After receiving my sketchbook and while I was making the new pages, I was thinking about what I would actually fill those pages with. I've always loved myths and fairy tales, so I knew I would focus on that aspect. I can't recall exactly what prompted it, but I began to think that I could do a version of Jack & the Beanstalk. My initial concept was to keep it simple: make a gatefold poster that would open up out of the sketchbook and tell the whole story in 2 images (front page and back page):


After some consideration, it just wasn't working for me for this project. So I worked up some storyboards on how I could tell a more traditional story with my take on Jack and the Beanstalk.

I sorta freaked out because it was the busy holiday season, I had tons of stuff going on, and I felt like I had to start over and that I didn't have time for it. But I put the project aside for awhile and let ideas sorta marinate. Then I remembered a poem that I had written in the early 2000s about The Maiden and The Hawk. I've always loved that poem and thought it would make a great illustrated fairy tale book. This was my chance! So I worked up storyboards based on the poem. I tried to get the story to fill the allotted 24 pages, but I would be stretching it to make it fit that many pages, so I settled on 16 pages instead. I also decided that while I had limited dialog in the poem, I wanted no discernible words on this version, so I made up a symbol based language to convey the dialog without using letters.

Now that I had the storyboards complete, I did some research on maidens and hawks and did some character studies to prepare for the real thing:

Now I was ready to create my sketchbook pages!

Coming next week: putting it all together.

The Sketchbook Project: The Maiden & The Hawk Part 1

This is part one of a three-part series on my The Sketchbook Project entry. 

I decided to enter the Art House Co-Op's The Sketchbook Project this year based on the link provided by my design friends over at the HOW Design Forum. The great thing about knowing a lot of folks in the design industry is the vast knowledge and resources they can share. The bad part is that you may be like me and want to participate in too much stuff. While I was initially excited by the project, it quickly became clear that this project was bigger than I anticipated. And because I had been so busy during the fall, it was time to start work on it right around the holidays. Whoops!

The basic concept for the project is that when you sign up, you are provided a sketchbook to fill up with images based on a theme. I chose "Storybook" because I've always been a fan of myths and fairytales. The provided sketchbook pages were very thin and there were a lot of them: 80 something if I recall correctly...

I spent a bit of time trying to wrap my head around the project and it was evident that I needed to cut the number of pages so I could have a hope of completing the project on time. I also decided to do my book in watercolors and that would require better quality paper. 

My first (and easiest) task was to remove the old paper. A few snips with the scissors and the old pages were free from their binding.

My next task was to choose a new paper to add to the sketchbook. I chose Canson's 140gsm Watercolor paper. It has a great texture and was the right size for the project. 

Next up, I figured out the number of pages I wanted my book to be and then I setup and trimmed the sheets to size. I originally figured that I would need 24 total pages (12 sheets), but that number would change...

Next up, and my favorite part, I wanted to do deckled edges. And I had no idea how to make them. So I just figured I'd draw a line where I wanted the edge to be...and luckily the edges of my desk are sharp! 

Here's how the book looked with the new pages inserted...

After all this, I was ready to work on my actual sketches and pages! 

Coming next week: ideas, sketches, and freak-outs, oh my!

Princess Luna

My dear friend Amanda got married this past weekend near Temecula, CA. As is my tradition, I illustrated a custom poem as her wedding gift. The first step is writing an appropriate poem. I went through several versions until I finally got it right.

Next, I started sketching out thumbnails for the illustration. I had great difficulty in deciding on a pose for the couple. A lot of the imagery that was coming to me was that of just my friend, which would make a great image, however, this illustration and poem is about the couple. So I kept researching and thumbnailing. It took awhile, but I finally found a pose that was perfect for the illustration:



Now that I had the poses down, I need to illustrate my friend Amanda and her husband-to-be, Patrick:


After the sketches were complete, I scanned them and began to digitally ink them in Illustrator:


After I finished inking and adding flat color for Amanda, I examined Patrick's some more and tried digitally inking him in, but the pose was just not quite right (as you can see below). So I had to go back and do a fresh sketch of Patrick in a slightly different pose.


Also, I noticeda few areas that would need to be cleaned up once I took the image into Photoshop:


I decided to make Patrick's post a bit more formal since he used to be in the Air Force, I figured a more "rigid" pose for him would make sense and also be a contrast to Amanda's more carefree pose. I inserted Patrick and the new pose was working now. I got him digitally inked. And then it hit me: in the poem, I made reference to Princess Luna's "silver wings". There were no wings in the illustration! So it was back to the research and sketchbook for me:


And now that we had Princess Luna's wings, I inked them and the illustration was ready. Well, almost…looks like Patrick is hiding, so I had to make a few adjustments before I took the file into Photoshop.

Once I got the flat color version into Photoshop, I added textures and lighting and arrvied at the final image:


I experimented with a new format for my illustrated poems this time around. I set the text in Illustrator and the brough it into Photoshop, where I applied the wing texture as a background to tie the two images together. I added a slight moon-like silver glow to the text in keeping with the "Princess Luna" imagery.


One of the things that has always bothered me about my illustrated poems is how the poem takes up space on the illustation itself. The new format allows the image to stand on its own, with the poem complementing it. With the new format, I'm mounting the illustration and poem to specialty papers that complement the color palate of the image. I received the wedding invitation just as I was searching for paper, and I was able to incoropate the colors from the invitation (or as close as I could get) into the background.

I'm really pleased with the new format that I've developed for my illustrated poems, I think it makes a nice presentation. Here is how the final 11x14 image looks framed:


To Amanda and Patrick, may your new life together be filled with happiness and love!

All sketches and illustrations, as well as the poem you see here are all copyright© 2008 Nicholas J. Nawroth, All Rights Reserved.